Disasters aside
Enough politics.
Back to poetry.
I've already started revising "My Brush Has My Name", and the first thing I did was take out the line that seemed to snag most people: "boar and lobster bloated parliament." You see, I carry one of those cool, black Moleskin notebooks(a gift from Blade), and I jot all kinds of nonsense in it. Things pop into my brain and I store them there as a little "image bank." I must've been flipping through it right before writing that poem because the image doesn't really fit. I had questioned it before, mainly because the vegetarianism of India--the Parliament may be bloated, but certainly not on boar. Chapatti? Well, maybe a few of them eat mutton... The two most asked questions of me in India were "Are you married?" and "Do you eat mutton?" Shows how unthinkable beefeating would be--too rude to even suggest, akin to cannibalism.
But "a lobster-and-mutton-bloated parliament" doesn't quite radiate the same decadence, huh? Either way, I canned it.
Someone asked about the Milk Powder Scam. I'm going to clarify that in my revision as well--there was no actually shoving or pushing involved in that. It was my first full day in Mumbai/Bombay and I'd already been approached by several hundred beggars wanting a rupee or two. That was overwhelming of course, especially since a sizeable percentage of the beggars (the woman with the monkey in the poem, a little boy who would not let go of my hand) were exhausting in their pursuit. So when these two little girls, geniuses of flattery and charm, told me they didn't want money,and in fact seemed insulted when I even implied they wanted money, told me that all they wanted was some milkpowder for their baby sister...I was sucker number one with a bullet. They were such likeable kids, and here they were wanting to save their little sister's life, and it must be true because what else are they going to do with milkpowder. True, I was shocked by the price, but I've never bought milkpowder before. Maybe it was a steal! And it seemed wrong to bargain while making such a generous gesture. Oh, Pete,you foolish, foolish man! Ugh, did I feel dumb when it all came together in my mind the moment they scampered away. A lesson. All I could hope was they got to keep some of the money for themselves, that the shopkeeper didn't beat them for every last smidgen of it.
Now that I've told that story, I do want to make clear that character in the poems is not ME. I mean, of course it's me, but it's really "me." As "the American." A person who consideredof getting his parents' dog's name engraved on the toothbrush, but thought that was too disrespectful and instead got this:
"Peter."
And that's a bag of Cheetos "Masala Balls." With one free Scooby Doo "Tazo."
There's also a lot of rupees there.
3 Comments:
It helps a lot, Slick, thanks. The issues you address have been a long time struggle for me in my work. I'm torn between my love of knotty clumps of words that beg to be repeated a hundred times on the tongue (my tongue at least) just for the pure taste of them away from solid Earthly meaning, and a love of fluency in verse. I've treated my revision process as bulldozing--I'm trying to smooth out these syntactically knotty little bumps to create a road the reader can just floor it on. Vrrooom. But those horrible little knots of language are what gets me writing in the first place. So maybe I need to trust the readers to do a little work. And to do a little more work myself so they aren't tossed in a ditch by a sudden speed bump, and instead (to murder the metaphor)offer some interesting roadside attractions that don't keep them from their final destination.
Having written by myself for so long it's fascinating, if not a bit scary, to have people pointing out what I'm doing. I'm aftraid it's gonna be like that famous baseball player (who was it?) whose streak stopped dead after a fan pointed out his stance. But this is about getting to the next level.
Oh yeah, I know boar is pig. I was just trying to make a more general point about the depth of vegetarianism in India.
thanks,
pete.
i don't know anyone who's opened their window like this to interactive feedback, but after Slick's deep and careful feedback, i'm getting the sense that you are managing to turn the lonely art of poetry and the 24/7 prime-time buzz of internet on their respective heads. plus, getting your on-the-fly, real-time commentary on working a poem is, let's face it, a rare treat.
more, please.
pete is a rare treat! PETE rocks!
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